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Kendrick Lamar’s ‘Not Like Us’ in Church? Christian Social Media Users Debate Its Use

Raven Alexis

Explore the controversy surrounding the performance of Kendrick Lamar's "Not Like Us" in churches. Does the song bridge culture and faith or compromise worship's sacredness?

 Grammy award-winning rapper Kendrick Lamar headlines the Super Bowl LIX Halftime Show at Caesars Superdome in New Orleans.
Photo by John Angelillo/UPI / Alamy Live News

The Church, The Culture, & The Controversy

From being declared GQ's 'song of the summer' to the record-breaking Halftime performance filled with symbolism, it's no secret that Kendrick Lamar's "Not Like Us" has the world in an uproar. But just because a song is praised in the culture doesn’t always mean it belongs in the pews.


Lately, the TikTok streets have been buzzing with debates over whether this viral anthem has any place in the house of the Lord. Some argue that using mainstream hits helps to engage younger generations and make the church more relevant. Others believe that incorporating secular music—especially one rooted in hip-hop beef—compromises the sacredness of worship.


So, does "Not Like Us" belong in church? Let’s take a look at both sides of the conversation.



The Song Behind the Debate

Released on May 4, 2024, Not Like Us emerged amid a heated back-and-forth between Kendrick Lamar and Drake. The song, produced by Mustard, is a West Coast anthem wrapped in a diss track.


In it, Kendrick seemingly calls Drake out over disturbing allegations, including rumors of predatory behavior. But despite its origins in rap beef, "Not Like Us" quickly transcended the feud.

Kendrick Lamar in the press room for the 2017 MTV Video Music Awards at The "Fabulous" Forum Drake at the 2017 Billboard Awards Press Room at the T-Mobile Arena on May 21, 2017 in Las Vegas, NV
Photo by FeatureFlash/ Jean Nelson / Deposit Photos

Why Has "Not Like Us" Become a Cultural Anthem?

What began as a diss track quickly evolved into a celebration of Black culture, unity, and resilience—especially within the West Coast community. Its infectious beat, danceable rhythm, and chant-like hook made it an instant hit, turning it into more than just a callout but a symbol of collective pride and expression.


From Juneteenth celebrations to family cookouts, "Not Like Us" became a staple at Black gatherings, embraced for its energy and communal feel. Much like how gospel has historical ties to blues and jazz, the song resonated emotionally, creating a shared experience that naturally crossed into different spaces—including churches.


However, its presence in worship settings has sparked debate, as not everyone agrees that a song born out of rap beef belongs in the house of the Lord.



black family gathering

Why Churches Are Playing Not Like Us


Engaging a Younger Generation

Some churches argue that incorporating "Not Like Us" helps engage a younger generation by using culturally relevant references to make biblical messages more relatable. Meeting people where they are, they believe, opens the door to deeper understanding and connection.



A prime example of this is Pastor Mike Todd of Transformation Church in Tulsa, Oklahoma. In his sermon "A Distraction Named David," he remixed "Not Like Us" while drawing a parallel between Saul vs. David and Drake vs. Kendrick. He used the song to illustrate biblical themes in a way that resonated with his audience on the topic of comparison and resentment.



A Modern Evangelism Strategy?

Some argue that the church has always adapted to cultural trends to stay relevant and effectively engage people. They believe using elements from pop culture—like "Not Like Us"—can create familiarity and openness, making it easier to connect with younger generations or people who are newer to the faith.


By using symbolism from pop culture concepts they already understand to explain biblical concepts, understanding can be shared across broader communities. However, others push back, insisting that God’s truth is already alive and powerful, needing no help from worldly influence to reach hearts.


The Controversy: Should Secular Music Be Played in Church?


The Sacred vs. the Secular Debate

Northside Agape Ministries in Vero Beach led a sermon titled "They Not Like Us," drawing from Romans 12:1-2, which emphasizes not conforming to the way of the world. Their message reinforced the idea that as Christians, believers should remember that the people of the world are not like us—set apart by faith and a renewed mind.


However, some argue that using a secular reference to convey this message contradicts the very scripture being preached. Does incorporating a song rooted in rap beef weaken the distinction between faith and culture, or does it serve as a relevant bridge to communicate biblical truths?


Where Should the Line Be Drawn?

Critics of blending secular music with worship argue that it’s “playing in God’s face,” diluting the sacred by incorporating elements born from a different spirit. While most churches aren’t playing "Not Like Us" in its entirety—often using just the melody, chorus, or a remixed version—it's up for interpretation whether or not the original lyrics contain themes that are contrary to Christian values.


So, where do we make the distinction? How can the church connect with culture without promoting comfort in being lukewarm? Scripture, like John 17:16, reminds believers that they are called to be in the world but not of the world—a tension that challenges churches to balance cultural relevance with spiritual conviction.

Austin City Limits - Kendrick Lamar in concert
Photo by Moffly / Deposit Photos

Final Thoughts: Should "Not Like Us" Be Played in Church?


Beyond the debate, this raises a deeper question: Are we prioritizing culture over kingdom? As Black people, our shared experiences, music, and traditions are significant, but as believers, our first identity is as children of God. While "Not Like Us" may symbolize Black unity and pride, our true identity is found in Christ.


Some see the song’s presence in church as a tool for connection, a way to make biblical truths more accessible to younger generations. Others argue that incorporating secular music—especially one rooted in conflict—compromises the sacredness of worship.


Is this an example of meeting people where they are, or does it blur the distinction between the sacred and the secular?


As the conversation continues, the challenge remains: How do we engage with culture without letting it define us? What do y'all think, Saints?

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